AN ANGOULEME AWARD WINNER RETURNS WITH A PARABLE ABOUT LIFE IN THE ART WORLD "The Making Of" is the follow-up to international sensation Brecht Evens's Eisner-nominated debut, "The Wrong Place." With lush watercolors and his characteristic wit, Evens details the fumbling, amateurish foibles of the participants of a small art festival in the Flemish countryside. Pieterjan is i...(展开全部)

The Inclusion of the Other contains Habermasa s most recent work in political theory and political philosophy. Here Habermas picks up some of the central themes of Between Facts and Norms and elaborates them in relation to current political debates. One of the distinctive features of Habermasa s work has been its approach to the problem of political legitimacy through a sustain...(展开全部)

This study discusses basic questions about Rubens's art and life, studies two of his bacchic paintings in detail and describes him in a less easy and more identifiably modern predicament.

Reconsiders the concensus on Rubens as a successful, prolific, and facile court painter who is dwarfed by the achievements of his near-contemporary Rembrandt. This book scrutinizes the assumptions upon which this image is built, and discovers an artist involved with ambivalence and ambiguity.

克里斯托弗·道森（Christopher Dawson, 1889-1970），英国当代著名的文化哲学家、历史学家、文化史学家和社会学家。代表著作有《神祇时代》《欧洲的形成：欧洲统一史导论》《理解欧洲》《世界历史的动力》等。道森以文化史、文化哲学、宗教哲学研究闻名于世， 横跨历史学、社会学、人类学等多个领域，是20世纪知识分子的典范。

克里斯托弗·道森（Christopher Dawson, 1889-1970），英国当代著名的文化哲学家、历史学家、文化史学家和社会学家。代表著作有《神祇时代》《欧洲的形成：欧洲统一史导论》《理解欧洲》《世界历史的动力》等。道森以文化史、文化哲学、宗教哲学研究闻名于世， 横跨历史学、社会学、人类学等多个领域，是20世纪知识分子的典范。

李德·哈特爵士（Basil H.Liddell Hart，1895-1970），英国军事记者、军事理论家、战略学家。生于法国巴黎。早年就读于英国剑桥大学。第一次世界大战期间服役，任步兵团军官，并曾在战斗中负伤。后来加入英国皇家军事教育协会。一战结束后，先后服务于《英国每日电讯报》（1925-1935）和《英国泰晤士报》（1935-1939），从事军事记者工作。李德·哈特同时也是著名的军事战略家，在军事学上提出了“间接路线”的观念以及涵盖军事以外领域的“大战略”概念，同时他也是现代战争“装甲兵”作战的鼓吹者。李德哈特与克劳塞维兹同时被誉为西方战略思想史中的两位现代战略大师。主要著作有：《大战略——间接路线》、《第一次世界大战战史》、《第二次世界大战战史》、《沙漠之狐隆美尔》等。1966年被英国皇家授予爵士勋章。

Gathering for the first time all of Claude Levi-Strauss's writings on Japanese civilization, The Other Face of the Moon forms a sustained meditation into the French anthropologist's dictum that to understand one's own culture, one must regard it from the point of view of another. Exposure to Japanese art was influential in Levi-Strauss's early intellectual growth, and between ...(展开全部)